Looks like you're preaching to the wrong crowd, and I suppose I'm not learning from your mistake, heh, but anyways, here's my interpretation it.
Almost all of you are completely missing the point. Disgusted? That's because the _statues_ are embodiments of a criticism against the shallowness of anime, manga, and otaku culture in general. They only extend the already greatly exaggerated portrayal of sexuality in otaku culture -- I'm sure if you have come across H-manga and H-doujins before, you have most likely already encountered large breasts and ejaculations of... great volumes, and even if not, you have surely come across fan service anime, ecchi manga, and trashy figures (they're all over this site, duh) featuring similarly styled characters. And yet. by distorting that only a little, Murakami creates a slightly disturbing image that questions otaku culture and sexuality. The epiphany comes when you realize how little Murakami deviates from the standard quo, but by actualizing the sexual ideals printed on paper in life-sized sculptures, he captures the hint of deep perverseness in otaku, which is proven when each of you shuddered in disgust -- they are the unsightly reflections of anime, manga, and otaku culture that you all envy so much, a materialistic and hyper-sexualized culture, a fact none of you can deny (yes, I realize just about everything in media is materialistic and sexualized these days, don't bother bringing that up, as it still doesn't change the argument at hand).
There is damn good reason why the sculptures are valued at an amount greater than what most of you would make in your entire lives. This page is testament to the provoking nature of Murakami's art. Of course, I'm not asking you to LIKE the sculptures, but it seems almost none of you are giving them the few moments of thought they deserve.
...and I'm spent, God, talking about not learning from another's mistakes. (
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